文艺复兴解锁

这部纪录片玩的就是“解谜”的快感。剧情里既有对米开朗基罗等巨匠的揭秘，也有对大众熟悉的《蒙娜丽莎》的解构，颠覆感极强。想深入了解艺术背后的权谋与疯狂？那就赶紧去看来！。看着他在画作里抠出“彩蛋”，历史立马就活了，不像上课那么枯燥。特别推荐给艺术小白和喜剧迷，如果你看腻了那些声光特效的科普片，这部绝对能让你在捧腹大笑中秒懂西方美术史！。导演Januszczak是个戏精，自己跑到卢浮宫、乌菲齐等画室，用夸张的肢体语言和毒舌解说，硬是把一堆老油画翻出了“少年漫”般的燃感。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

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